¦~¯Å | ½s¸¹ | ¯Z§O | ¬ì¥Ø¦WºÙ | ¥ô½Ò±Ð±Â | ¤W½Ò®É¼Æ ¥¿½Ò/¹êÅç¹ê²ß/®Ñ³ø°Q½× |
¾Ç¤À | ¿ï¥² | ¤W½Ò®É¶¡ | ¤W½Ò¦aÂI | פH¼Æ | ³Æµù |
---|---|---|---|---|---|---|---|---|---|---|---|
1 | 7101004 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î¡]¤¤°ê¥j¨å¤p»¡¡^ Chinese Language and Literature and Their Application(Classical Chinese Novels) |
½²ºa´@ | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó201 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101008 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î¡]À³¥Î¤å¡^ Chinese Language and Literature and Their Application(Practical Chinese) |
¶ÀÀR§u | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó111 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101041 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î¡]¤¤°ê¥j¨å¸Öºq»P²{¥NºqÁÁ¡^ Chinese language and literature and their application(The Appreciation of Classical Chinese Poetry a |
³\ªF®ü | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó110 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101055 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¤¤°ê¥j¨å¸Öµü) Chinese Language and Literature and Their Application( Chinese Classic Poetry and Tz'u) |
¤ýã¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó111 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101058 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¤¤°ê²{¥N¤p»¡»P¹q¼v) Chinese Language and Literature and Their Application¡]Modern Chinese Fiction And Movies¡^ |
¨¯ª÷¶¶ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó201 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101061 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¤å¾Ç»P¤k©Ê) Chinese Language and Literature and Their Application(Literature and Feminism) |
¤ò¤åªÚ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó110 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101069 | 01 | ¤¤¤å»y¤åª¾ÃѤΨäÀ³¥Î¡]¤å¾Ç¡BªÀ·|»P¦Û§Ú»{¦P¡^ Chinese Language and Literature and Their Application(Literature, Society, Self-identity) |
¿½¸q¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó203 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101070 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¤å¾Ç§@«~¤¤ªº¦a²z»P«°¥«) Chinese Language and Literature and Their Application(The Discussion of Geography and Cities in Lite |
ª÷°öÅt | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó211 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101071 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(º~¦r»P¤å¤Æ) Chinese Language and Literature and Their Application(Chinese Character and Culture) |
§õúW¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó112 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101078 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥j¨å¸Öºq»P²{¥N©Ê) Chinese Language and Literature and Their Application(Classical Poetry and Modernity) |
§õª¾ø¯ | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó209 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101078 | 02 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥j¨å¸Öºq»P²{¥N©Ê) Chinese Language and Literature and Their Application(Classical Poetry and Modernity) |
§õª¾ø¯ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó209 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101080 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥xÆW²{¥N¤p»¡»P¹q¼v) Chinese Language and Literature and Their Application(Modern Taiwanese Fiction and Cinema) |
·Å·¶¸Ö | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó218 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101081 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¦ÛµM¡B¥ð¶¢»PªvÀø) Chinese Language and Literature and Their Application(Nature, Leisure and Cure) |
¿à¿ü¤T | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó112 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101082 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¹D®a»P¤H¥Í) Chinese Language and Literature and Their Application(Taoism and Life) |
¾G¬f¹ü | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó113 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101082 | 02 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¹D®a»P¤H¥Í) Chinese Language and Literature and Their Application(Taoism and Life) |
¾G¬f¹ü | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó113 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101084 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¤å¾Ç¾\Ū»P²ß§@) Language and Literature and Their Application(Literature and Creative Writing) |
¬_³ì¤å | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó116 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101085 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(©ö¸g¾ÉŪ) Language and Literature and Their Application(Introduction to the ¡¨Book of Changes¡¨) |
ªL¤å²ú | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó117 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101086 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥xÆW»y¨¥»P¤å¤Æ) Language and Literature and Their Application(Taiwanese Language and Culture) |
´¿¶i¥Á | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó201 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101089 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥xÆW¤p»¡»P¹q¼v) Language and Literature and Their Application(Taiwanese Fiction and Cinema) |
³\¼C¾ô | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó202 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101089 | 02 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥xÆW¤p»¡»P¹q¼v) Language and Literature and Their Application(Taiwanese Fiction and Cinema) |
³\¼C¾ô | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó202 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101090 | 01 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥Õ¸Ü¤p»¡»P¥j¨åÀ¸¼@) Chinese Language and Literature and Their Application(Chinese Vernacular Stories and the Classical Drama and Theatre) |
¨L¸Ö¯\ | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó211 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7101090 | 02 | ¤¤°ê»y¤åª¾ÃѤΨäÀ³¥Î(¥Õ¸Ü¤p»¡»P¥j¨åÀ¸¼@) Chinese Language and Literature and Their Application(Chinese Vernacular Stories and the Classical Drama and Theatre) |
¨L¸Ö¯\ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó211 | 50 | ¤¤¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 01 | ^»yÅ¥Á¿ English Speaking and Listening |
¶À´fµØ | 2 2/0/0 |
2 | ³qÃÑ | ¥|4,5 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 02 | ^»yÅ¥Á¿ English Speaking and Listening |
¶À´fµØ | 2 2/0/0 |
2 | ³qÃÑ | ¤T2,3 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 03 | ^»yÅ¥Á¿ English Speaking and Listening |
¶À´fµØ | 2 2/0/0 |
2 | ³qÃÑ | ¤T4,5 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 04 | ^»yÅ¥Á¿ English Speaking and Listening |
¶À´fµØ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 05 | ^»yÅ¥Á¿ English Speaking and Listening |
Á¶®µ× | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó322 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 06 | ^»yÅ¥Á¿ English Speaking and Listening |
±i·ëÏÐ | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó420 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 08 | ^»yÅ¥Á¿ English Speaking and Listening |
¼BÂ{º³ | 2 2/0/0 |
2 | ³qÃÑ | ¤@8,9 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 09 | ^»yÅ¥Á¿ English Speaking and Listening |
¼BÂ{º³ | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 11 | ^»yÅ¥Á¿ English Speaking and Listening |
¼BÂ{º³ | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 12 | ^»yÅ¥Á¿ English Speaking and Listening |
Á¶®µ× | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó321 | 55 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102001 | 13 | ^»yÅ¥Á¿ English Speaking and Listening |
šȖȕ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó323 | 50 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 01 | ²{¥N^»y¾\Ū Modern English Reading |
¨©¸ô«ä | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó214 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 02 | ²{¥N^»y¾\Ū Modern English Reading |
±i·ëÏÐ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó221 | 70 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 03 | ²{¥N^»y¾\Ū Modern English Reading |
Á¶®µ× | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó325 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 04 | ²{¥N^»y¾\Ū Modern English Reading |
´å¤å¹Å | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó213 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 05 | ²{¥N^»y¾\Ū Modern English Reading |
³¯·çªQ | 2 2/0/0 |
2 | ³qÃÑ | ¤4,5 | ±Ð¾Ç¤j¼Ó206 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 06 | ²{¥N^»y¾\Ū Modern English Reading |
³¯·çªQ | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó206 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102002 | 07 | ²{¥N^»y¾\Ū Modern English Reading |
¼BÂ{º³ | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó206 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102004 | 01 | ¤é¤å¡]¤G¡^ Japanese¡]¢º¡^ |
¤BºÑ¥É | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó207 | 125 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102004 | 02 | ¤é¤å¡]¤G¡^ Japanese¡]¢º¡^ |
¤BºÑ¥É | 2 2/0/0 |
2 | ³qÃÑ | ¤T2,3 | ±Ð¾Ç¤j¼Ó207 | 125 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102006 | 01 | ªk¤å¡]¤G¡^ French¡]¢º¡^ |
¬ö´fã | 2 2/0/0 |
2 | ³qÃÑ | ¤T2,3 | ±Ð¾Ç¤j¼Ó325 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102008 | 01 | ¼w¤å¡]¤G¡^ German¡]¢º¡^ |
·¨¬ü®S | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó422 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
1 | 7102010 | 01 | ¦è¯Z¤ú¤å¡]¤G¡^ Spanish¡]¢º¡^ |
§õÀu«W | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó214 | 90 | ¥~¤å¨t¾Ç¥Í¤£±o¿ïסF²Ä¤@¶¥¬q¿ï½Ò¤j¤@¾Ç¥Í¿ïסA²Ä¤G¶¥¬q¿ï½Ò¶}©ñ«×¥Í¤Î¥¼×²ß¤§¾Ç¥Í¿ï× |
2 | 7201001 | 01 | °ò¦¼Æ¾Ç Elementary Math |
±i¦u¼w | 3 3/0/0 |
3 | ³qÃÑ | ¤G10¥|10,11 | ¦a¾_À]215ºtÁ¿ÆU | 200 | ²z¡B¤u¡BºÞ°|¤Î¤ß²z¨t¾Ç¥Í¤£±o¿ï× |
2 | 7202004 | 01 | ¾÷²v»P¤H¥Í Probability in Life |
³¯¤¯¸q | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¼Æ¾ÇÀ]203 | 70 | ªÀºÖ¨t¡B¤ß²z¨t¡B¼Æ¾Ç¨t¤Î¸ê¤u¨t¾Ç¥Í¤£±o¿ï× |
2 | 7203001 | 01 | ÅÞ¿è Logic |
§õ·çÅï | 3 3/0/0 |
3 | ³qÃÑ | ¤GG¥|G | ±Ð¾Ç¤j¼Ó207 | 125 | õ¾Ç¨t¾Ç¥Í¤£±o¿ï× |
2 | 7203001 | 02 | ÅÞ¿è Logic |
¤ý¤å¤è | 3 3/0/0 |
3 | ³qÃÑ | ¤@G¤TG | ¤å¾Ç°|155(¶¥±è±Ð«Ç) | 163 | õ¾Ç¨t¾Ç¥Í¤£±o¿ï× |
3 | 7301008 | 01 | ¶m¤g¤å¾Ç»P¤å¤Æ Local Literature and Culture |
³¯©ú¥x | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¤å¾Ç°|006(¶¥±è±Ð«Ç) | 109 | |
3 | 7301024 | 01 | ¬ì§Þ^¤å¤Jªù Introduction to Technology-wise English |
¬x³Õ¶¯ | 2 2/0/0 |
2 | ³qÃÑ | ¤8,9 | ±Ð¾Ç¤j¼Ó401 | 65 | |
3 | 7301027 | 01 | Áú¤å(¤G) Korean( II ) |
±Z¥½¶¶ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó219 | 70 | ¥ý×¬ì¥Ø(7301023)Áú¤å(¤@)(¤Î®æ) ײ߹L¡uÁú¤å(¤@)¡v(½Ò½X¡G7301023)¤Î®æªÌ¤è±o¿ïסF¥»½Òµ{«D²Ä¤@»â°ì½Òµ{¡A½Ð×½Ò¦P¾Ç¯S§Oª`·N¡I |
3 | 7302008 | 01 | ¦è¬v¤å¤Æ¥v¡]¤G¡^ History of Western Culture¡]¢º¡^ |
±i¨q»T | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó422 | 90 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302010 | 01 | ¤é¥»¾ú¥v»P¤å¤Æ¡]¤G¡^ Culture and History of Japan¡]¢º¡^ |
§õY¤å | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó201 | 70 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302014 | 01 | «n¥xÆW¶m¤g¤å¤Æ Rural Culture of Southern Taiwan |
³¢»Èº~ | 2 2/0/0 |
2 | ³qÃÑ | ¤T10,11 | ±Ð¾Ç¤j¼Ó422 | 90 | ºô¸ô«D¦P¨B½Òµ{ |
3 | 7302015 | 01 | ¥xÆWªÀ·|¸gÀÙ¥v Social and Economic History of Taiwan |
ªLêP¸S | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó202 | 70 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302019 | 01 | ¥@¬É¥vªºµø³¥ The Perspective of World History |
¤è§Ó±j | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó325 | 90 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302020 | 01 | ¾ú¥v¹q¼v»P¼vµø¥v¾Ç Historical Film and Historiophyty |
·¨¦t³Ô | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó206 | 90 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302024 | 01 | ¾ú¥v»P®È¹C History And Leisure Travel |
·¨¦t³Ô | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó206 | 90 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302025 | 01 | ¥v¦aÅܾE»PÀô«O Historical And Geographical Change And The Environmental Protection |
¹ù¥®µØ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó115 | 55 | ×¹L¡u¤¤°ê¾ú¥v¦a²z¡v½Òµ{¤§¾Ç¥Í¤£±o¿ï× |
3 | 7302026 | 01 | ¤éªv®É´Á¥xÆW³q«U¤å¤Æ»P²{¥N©Ê Japanese period Taiwan popular culture and modernity |
³¯©ú¥x | 2 2/0/0 |
2 | ³qÃÑ | ¥|8,9 | ¤å¾Ç°|006(¶¥±è±Ð«Ç) | 109 | |
3 | 7302029 | 01 | ¤¤°ê¤å¤Æ¥v Cultural History of China |
ªLêP¸S | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó202 | 70 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
3 | 7302031 | 01 | ¦è¬v¤å¤Æ¦WµÛ¾ÉŪ Selected Reading : In Western Cultural Masterpieces |
±i¥@¤å | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó401 | 65 | |
3 | 7302032 | 01 | ®öº©¥D¸q Romanticism |
±i¥@¤å | 2 2/0/0 |
2 | ³qÃÑ | ¤G7,8 | ±Ð¾Ç¤j¼Ó401 | 65 | |
3 | 7302033 | 01 | ¬ü°ê¤j²³¤å¤Æ»P©Ê§O¬Fªv American Popular Culture and Gender Politics |
®]¶©°ò | 2 2/0/0 |
2 | ³qÃÑ | ¤T4,5 | ±Ð¾Ç¤j¼Ó325 | 90 | |
3 | 7303010 | 01 | õ¾Ç·§½× Introduction to Philosophy |
«Jºû¤§ | 2 2/0/0 |
2 | ³qÃÑ | ¤T10,11 | ±Ð¾Ç¤j¼Ó207 | 125 | õ¾Ç¨t¾Ç¥Í¤£±o¿ï× |
3 | 7303014 | 01 | ¥Í©RÛ²z¾Ç Bioethics |
¥Ì°»»T | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¤å¾Ç°|155(¶¥±è±Ð«Ç) | 163 | õ¾Ç¨t¾Ç¥Í¤£±o¿ï× |
3 | 7304003 | 01 | ťıÃÀ³NªY½à Music Appreciation |
¶À´Iµ^ | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 90 | |
3 | 7304006 | 01 | »P¶³ªù¦@»R Dance with the Cloud Gate |
ªLÃh¥Á | 2 2/0/0 |
2 | ³qÃÑ | ¤@13,14 | Åé¨|À]1 | 120 | ¤W½Ò¤é´Á¬°5/7~5/19¡A¤j¥|±ý¿ïת̽ЦҶq¬O§_¯à¥þµ{»P°Ñ¡A¤W½Ò®É¶¡¬°¶g¤@¦Ü¶g¤±ß¤W19:00-21:00¤Î¶g¤»¶g¤é9:00-16:00¡A¯Ê½Ò¤T¦¸¥»½Òµ{¦¨ÁZ¤£¤Î®æ¡C²Ä¤@¦¸¤W½Ò¬°5¤ë7¤é±ß¤W6®É30¤À©óÅé¨|À]·È¦B³õ¶°¦X¡C¬ÛÃö¸ê°T½Ð¦Ü³qÃѤ¤¤ßºô¶³Ì·s®ø®§³BÂsÄý |
3 | 7304007 | 01 | ¦è¬vµ¼Ö¥v A History of Western Music |
ÁÂÃL¦~ | 2 2/0/0 |
2 | ³qÃÑ | ¤4,5 | ±Ð¾Ç¤j¼Ó325 | 90 | |
3 | 7304008 | 01 | º©µeÃÀ³N»P³Ð§@ Comics Art |
±Ð®v¥¼©w | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,9 | µøÅ¥¤¤¤ß101¶¥±è±Ð«Ç | 60 | |
3 | 7304009 | 01 | ¥æÅT¼Öº©¹C Introduction to the World of Symphony |
´¿©É»T | 2 2/0/0 |
2 | ³qÃÑ | ¤T8,9 | ±Ð¾Ç¤j¼Ó422 | 90 | |
3 | 7304010 | 01 | «Ø¿v»P¥Í¬¡ Architecture and Living |
¬x½å«H | 2 2/0/0 |
2 | ³qÃÑ | ¥|8,9 | ±Ð¾Ç¤j¼Ó422 | 90 | |
3 | 7304010 | 02 | «Ø¿v»P¥Í¬¡ Architecture and Living |
¬x½å«H | 2 2/0/0 |
2 | ³qÃÑ | ¤4,5 | ±Ð¾Ç¤j¼Ó201 | 70 | |
3 | 7304011 | 01 | ÃÀ³NªY½à Art Appreciation |
§õ²Që | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ¤å¾Ç°|155(¶¥±è±Ð«Ç) | 120 | |
3 | 7304012 | 01 | º©¹CÁn¼Öªº¥@¬É Introduction to Vocal Music |
ÁÂÃL¦~ | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó325 | 70 | |
3 | 7304013 | 01 | ¤¤°ê¶Ç²Îµ¼Ö¾É²â The First Step of Chinese Classic and Folk Music |
§d§Ó³Í | 2 2/0/0 |
2 | ³qÃÑ | ¤T10,11 | ±Ð¾Ç¤j¼Ó325 | 90 | |
3 | 7304014 | 01 | »P¶³ªù¦@»R¶i¶¥¯Z Advanced Dance with the Cloud Gate |
³¯¬î§u | 2 2/0/0 |
2 | ³qÃÑ | ¤@13,14 | ¬¡°Ê¤¤¤ßºtÃÀÆU | 40 | ¥ý×¬ì¥Ø(7304006)»P¶³ªù¦@»R(¤Î®æ) ײ߹L¡u»P¶³ªù¦@»R¡v(½Ò½X¡G7304006)©Î¨ã»RÁаò¦ªÌ¤è±o¿ïסF¤W½Ò¤é´Á¬°5/7~5/19¡A¤j¥|±ý¿ïת̽ЦҶq¬O§_¯à¥þµ{»P°Ñ¡A¤W½Ò®É¶¡¬°¶g¤@¦Ü¶g¤±ß¤W19:00-21:00¤Î¶g¤»¶g¤é9:00-16:00¡A¯Ê½Ò¤T¦¸¥»½Òµ{¦¨ÁZ¤£¤Î®æ¡C²Ä¤@¦¸¤W½Ò¬°5¤ë7¤é±ß¤W6®É30¤À©ó¬¡°Ê¤¤¤ßºtÃÀÆU¶°¦X¡C¬ÛÃö¸ê°T½Ð¦Ü³qÃѤ¤¤ßºô¶³Ì·s®ø®§³BÂsÄý¡C |
3 | 7304017 | 01 | °Ó«~¤Æ³]p»P¹ê§@ Merchandise Design and Prototyping |
½²§»¬F | 3 3/0/0 |
3 | ³qÃÑ | ¤T4,5,6 | ±Ð¾Ç¤j¼Ó110 | 55 | |
3 | 7304020 | 01 | ·í¥NÃÀ³N«ä¼é Trends of Contemporary Art |
¶À©Ó¼w | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó202 | 70 | |
3 | 7304021 | 01 | ³y«¬ÃÀ³N Plastic Art |
¶À©Ó¼w | 2 2/0/0 |
2 | ³qÃÑ | ¤G7,8 | ±Ð¾Ç¤j¼Ó221 | 70 | |
3 | 7305002 | 01 | °ò·þ«H¥õ»P¦è¤èªñ¥N¬ì¾Ç Christian Belief and Modern Sciences in the Western World |
°¨¥®«L | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 230 | |
3 | 7305004 | 01 | ¸`¼y»P¥Á«U Festivals and Folklore |
·¨¥É§g | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó203 | 70 | |
3 | 7306011 | 01 | ¥xÆW¤H¤å¬ã¨s¤¤¤ß³Ç¥XÁ¿®y(¤G) Distinguished Lectures of the Taiwan Institute for the Humanities( II ) |
¨Lºa¯ª | 2 2/0/0 |
1 | ³qÃÑ | ¤G13,14 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 230 | ¥»½Òµ{¬°Á|¿ì10³õºtÁ¿¡A׽ҾǥͦܤֻݥX®u¤C³õ(§t)¥H¤W¡A²Ä¤@¦¸¤W½Ò®É¶¡¬°3¤ë6¤é±ß¤W¤CÂI¡A¦aÂI¬°±Ð¾Ç¤j¼Ó106±Ð«Ç¡A½Òµ{¬ÛÃö°T®§©ó²Ä¤@¦¸¤W½Ò®É«Å§G©Î¦Ü¥xÆW¤H¤å¬ã¨s¤¤¤ßºô¶ÂsÄý¡C |
3 | 7306012 | 01 | ¤¤¥¿Á¿®y(¤») University Seminar( VI ) |
§õ¥ÉÖq | 2 2/0/0 |
1 | ³qÃÑ | ¤T10,11 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 200 | ²Ä¤@¦¸¤W½Ò¬°3¤ë7¤é¤U¤È¥|ÂI©ó±Ð¾Ç¤j¼Ó106±Ð«Ç¥l¶}»¡©ú·|¡A¥»¦¸»¡©ú·|¦C¤J¥X®u¦¨ÁZ¡A½Ð׽ҾǥͰȥ²°Ñ¥[¡C |
4 | 7401001 | 01 | »y¨¥ªº¥Í²z»P¤ß²z°ò¦ Biological and Psychological Foundation of Human Language |
±iºa¿³ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ¤å¾Ç°|006(¶¥±è±Ð«Ç) | 109 | |
4 | 7401003 | 01 | ¥Ç¸o¤ß²z¾Ç Criminal Psychology |
´¿²QµÓ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ªk¾Ç°|209 | 90 | |
4 | 7401006 | 01 | ¤ß²z¾Çºü½× Introduction to Psychology |
§õ¬Ó¿Ñ | 2 2/0/0 |
2 | ³qÃÑ | ¤4,5 | ±Ð¾Ç¤j¼Ó214 | 90 | ¤ß²z¨t¾Ç¥Í¤£±o¿ï× |
4 | 7401006 | 02 | ¤ß²z¾Çºü½× Introduction to Psychology |
¯Î¹Å^ | 2 2/0/0 |
2 | ³qÃÑ | ¤G8,9 | ±Ð¾Ç¤j¼Ó325 | 90 | ¤ß²z¨t¾Ç¥Í¤£±o¿ï× |
4 | 7401008 | 01 | »{ÃѺίv Realize your sleep |
½²¦tõ | 2 2/0/0 |
2 | ³qÃÑ | ¤@4,5 | ±Ð¾Ç¤j¼Ó422 | 90 | ¤ß²z¨t¾Ç¥Í¤£±o¿ï× |
4 | 7401009 | 01 | ÃÀ³N¤ß²z¾Çªì±´ Introduction to the Psychology of Art's |
ù³·®e | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó219 | 70 | |
4 | 7402010 | 01 | ³£¥«pµe·§½× Introduction to Urban Planning |
½²¤¤·u | 2 2/0/0 |
2 | ³qÃÑ | ¤T8,9 | ±Ð¾Ç¤j¼Ó206 | 90 | |
4 | 7402011 | 01 | ªÀ·|¾Ç Sociology |
Ĭ°·µØ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó110 | 55 | ªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402012 | 01 | ªÀ·|ºÖ§Q Social Welfare |
¶À¾åÁ¨ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó420 | 60 | ªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402015 | 01 | ªÀ·|»P¸gÀÙ Society and Economics |
¤ý¥¿ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ªÀ¬ì°|115 | 124 | ªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402019 | 01 | ¥Ç¸o±±¨î»P¸ê¥»¥D¸q Crime Control and Captialism |
³\µØ§· | 2 2/0/0 |
2 | ³qÃÑ | ¤T8,9 | ±Ð¨|À]201 | 124 | ´¿×²ß¬ì¥Ø½s¸¹7402018¡u«C¤Ö¦~¥Ç¸o»P°¾®t¦æ¬°¡v¤Î¡u¥Ç¸oªÀ·|¾Ç¡vªÌ¤£±o¿ï× |
4 | 7402022 | 01 | ªÀ°Ïµo®i»PªÀ°Ï¦æ°Ê Community Development and Community Action |
§d©ú¾§ | 2 2/0/0 |
2 | ³qÃÑ | ¤T2,3 | ªÀ¬ì°|115 | 124 | ªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402026 | 01 | ¸ê°TªÀ·|¤¤ªº¼Æ¦ì¸¨®t Digital Divide in the Information Society |
³¯¬Lºa | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó111 | 55 | |
4 | 7402027 | 01 | ¹qª±¤Uªº¶Ç¼½¥@¬É Electronic Games and The World of Communication |
³\¥¿ | 3 3/0/0 |
3 | ³qÃÑ | ¤@2,3¤2 | ªÀ¬ì°|119 | 124 | ¶Ç¼½¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402028 | 01 | ¹q¼vªY½à¤Uªº¶Ç¼½¥@¬É Movie Entertainment and Communication |
ªL²QªÚ | 3 3/0/0 |
3 | ³qÃÑ | ¤G4,5¥|4 | ªÀ¬ì°|119 | 124 | ¶Ç¼½¨t¾Ç¥Í¤£±o¿ï× |
4 | 7402029 | 01 | ±q¹q¼v¬Ýºô¸ôªÀ·| Internet Society of Movie |
ªL©Éª´ | 3 3/0/0 |
3 | ³qÃÑ | ¤G10,11¥|10 | ªÀ¬ì°|228 | 55 | ¶Ç¼½¨t¾Ç¥Í¤£±o¿ïסFײ߹L¡u±q´CÅé¬Ýºô¸ôªÀ·|¡v(½Ò½X¡G7402025)ªÌ¤£±o¿ï× |
4 | 7403001 | 01 | ¬Fªv¾Ç Political Science |
³¯©|§Ó | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó203 | 70 | ¬Fªv¨t¡BªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7403001 | 02 | ¬Fªv¾Ç Political Science |
Á¤Tºa | 2 2/0/0 |
2 | ³qÃÑ | ¤T7,8 | ±Ð¾Ç¤j¼Ó213 | 125 | ¬Fªv¨t¤ÎªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7403002 | 01 | ¾Ëªk»P¬F©² Government and Constitution |
ÂťɬK | 2 2/0/0 |
2 | ³qÃÑ | ¤7,8 | ±Ð¾Ç¤j¼Ó110 | 55 | ¬Fªv¨t¾Ç¥Í¤£±o¿ï× |
4 | 7403002 | 02 | ¾Ëªk»P¬F©² Government and Constitution |
Á¤Tºa | 2 2/0/0 |
2 | ³qÃÑ | ¥|4,5 | ±Ð¾Ç¤j¼Ó220 | 70 | ¬Fªv¨t¾Ç¥Í¤£±o¿ï× |
4 | 7403002 | 03 | ¾Ëªk»P¬F©² Government and Constitution |
Á¤Tºa | 2 2/0/0 |
2 | ³qÃÑ | ¤T4,5 | ±Ð¾Ç¤j¼Ó220 | 70 | ¬Fªv¨t¾Ç¥Í¤£±o¿ï× |
4 | 7403003 | 01 | ·í«e°ê¤º¥~±¡¶Õ¤ÀªR Analysis of Domestic and International Situation |
Á±ӱ¶ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó305¶¥±è±Ð«Ç | 230 | |
4 | 7403006 | 01 | ¤å¤Æ»P°ê»Ú¬Fªv Cultural Forces in World Politics |
½²©÷¨¥ | 2 2/0/0 |
2 | ³qÃÑ | ¥|8,9 | ±Ð¾Ç¤j¼Ó203 | 70 | |
4 | 7403007 | 01 | °ê»ÚÃö«Y»P¨È¤Ó¦w¥þ·§½× An Introduction to International Relations and Asia-Pacific Security Situation |
³s¥°©y | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó203 | 70 | |
4 | 7404001 | 01 | ªk¾Çºü½× Introduction to Jurisprudence |
Á¤Tºa | 2 2/0/0 |
2 | ³qÃÑ | ¤@7,8 | ±Ð¾Ç¤j¼Ó220 | 70 | ªk¾Ç°|¤ÎªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7404001 | 02 | ªk¾Çºü½× Introduction to Jurisprudence |
Á¤Tºa | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó213 | 125 | ªk¾Ç°|¤ÎªÀºÖ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7404002 | 01 | ªk«ß»P¥Í¬¡ Law and Life |
¹ù¿·ª³ | 2 2/0/0 |
2 | ³qÃÑ | ¥|8,9 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 160 | ªk¾Ç°|¾Ç¥Í¤£±o¿ï× |
4 | 7404003 | 01 | ¾Ëªk»P°ò¥»Åv§Q Constitution and Basic Rights |
³¯¨Î¼z | 2 2/0/0 |
2 | ³qÃÑ | ¥|4,5 | ±Ð¾Ç¤j¼Ó213 | 125 | ªk¾Ç°|¾Ç¥Í¤£±o¿ï× |
4 | 7404004 | 01 | ¾Ëªk»P¾Ë¬F Constitutional Law and Constitutionalism |
³¯¨Î¼z | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó221 | 70 | ªk¾Ç°|¾Ç¥Í¤£±o¿ï× |
4 | 7404009 | 01 | ¤k©Ê¤HÅv Woman's Rights |
®]°iÖö | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ±Ð¾Ç¤j¼Ó213 | 125 | |
4 | 7404012 | 01 | ¾³õ»Pªk«ß Workplace and Law |
¾G¬z¬z | 2 2/0/0 |
2 | ³qÃÑ | ¤@4,5 | ªk¾Ç°|101¶¥±è±Ð«Ç | 120 | |
4 | 7404013 | 01 | ©Ò±oµ|ªk Income Tax Law |
¶d¥ò©ú | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó213 | 125 | ªk¾Ç°|¾Ç¥Í¤£±o¿ï× |
4 | 7404016 | 01 | °]µ|ªk«ß»P¥Í¬¡ Finance & Tax Law and Life |
¹ù´ÜºÖ | 2 2/0/0 |
2 | ³qÃÑ | ¤G8,9 | ±Ð¾Ç¤j¼Ó207 | 125 | ªk¾Ç°|¾Ç¥Í¤£±o¿ï× |
4 | 7404019 | 01 | »{ÃÑ´¼¼z°]²£Åv Introduction to Intellectual Property |
¨H©vÛ | 2 2/0/0 |
2 | ³qÃÑ | ¤G4,5 | ªk¾Ç°|101¶¥±è±Ð«Ç | 120 | |
4 | 7404020 | 01 | ¾Ëªk-¬F©²²Õ´ Constitution Law-Governmental Organization |
§õ¤¯Ùç | 2 2/0/0 |
2 | ³qÃÑ | ¤G8,9 | ±Ð¾Ç¤j¼Ó213 | 125 | ªk¾Ç°|¾Ç¥Í¤£±o¿ïסF´¿×²ß¡u¾Ëªk»P°ê®a¾÷Ãö²Õ´¡v(½Ò½X¡G7404005)ªÌ¤£±o¿ï× |
4 | 7405002 | 01 | ¸gÀÙ»P°ê®aµo®i Economics and Country Development |
½²¥õ°@ | 3 3/0/0 |
3 | ³qÃÑ | ¤GB¥|B | ±Ð¾Ç¤j¼Ó325 | 90 | ºÞ°|¤G¡B¤T¡B¥|¦~¯Å¾Ç¥Í¤£±o¿ï× |
4 | 7405004 | 01 | §ë¸ê¾Ç·§½× Iutroduction to Investment |
²ø¯q·½ | 3 3/0/0 |
3 | ³qÃÑ | ¤@C¤C | ºÞ²z¾Ç°|201 | 81 | ºÞ°|¾Ç¥Í¤£±o¿ï× |
4 | 7405006 | 01 | ¥Í¬¡¸gÀÙ¾Ç Everyday Economics |
¨HªöâÐ | 3 3/0/0 |
3 | ³qÃÑ | ¤3,4,5 | ºÞ²z¾Ç°|107 | 100 | ºÞ°|¾Ç¥Í¤£±o¿ïסF´¿×²ß¡u¸gÀÙ¾Ç¾É½× ¡vªÌ¤£±o¿ï× |
4 | 7405008 | 01 | ¸gÀپǪº¥@¬É The World of Economics |
¤ýÄË©[ | 3 3/0/0 |
3 | ³qÃÑ | ¤GB¥|B | ºÞ²z¾Ç°|107 | 100 | ºÞ°|¾Ç¥Í¤£±o¿ïסF´¿×²ß¡u¸gÀپǾɽסvªÌ¤£±o¿ï× |
4 | 7406005 | 01 | ºÞ²z¾Ç·§½× Introduction to Management |
³¯³¦t | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ºÞ²z¾Ç°|214 | 125 | ¥øºÞ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7406009 | 01 | ¥ø·~·§½× Introduction to Business |
úF¹Å®n | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ºÞ²z¾Ç°|114 | 125 | ¥øºÞ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7406010 | 01 | ºÞ²z®É¨Æ^¤å¿ïŪ Reading in Business News |
¬x²M¼w | 2 2/0/0 |
2 | ³qÃÑ | ¥|4,5 | ºÞ²z¾Ç°|114 | 125 | |
4 | 7406011 | 03 | °]°ÈºÞ²z·§½× Introduction to Financial management |
¤ý¼y©÷ | 3 3/0/0 |
3 | ³qÃÑ | ¥|4,5,6 | ºÞ²z¾Ç°|006 | 80 | ºÞ°|¾Ç¥Í¤£±o¿ï× |
4 | 7406011 | 04 | °]°ÈºÞ²z·§½× Introduction to Financial management |
¶À²zõ | 3 3/0/0 |
3 | ³qÃÑ | ¤@7,8,9 | ºÞ²z¾Ç°|103 | 75 | ºÞ°|¾Ç¥Í¤£±o¿ï× |
4 | 7406015 | 01 | ¥ø·~Û²z Business Ethics |
¿cÀs¬u | 2 2/0/0 |
2 | ³qÃÑ | ¤T4,5 | ºÞ²z¾Ç°|114 | 125 | |
4 | 7406016 | 01 | ¹êÅç«Ç¦w¥þ½Ã¥Í·§½× Introduction to Laboratory Safety and Hygiene |
±Î¥ò¹ç | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¤u¾Ç°|BÀ]117 | 120 | ¥»¨t¥Í×.©ó¥[°h¿ï´Á¶¡¼W¥[20%¨Ñ¥~¨t¿ï×;²z¡B¤u¾Ç°|¡B¤ß²z¤Î³Ò¤u¨t¾Ç¥Í×½Ò |
4 | 7406017 | 01 | ÂåÀø«~½èºÞ²z Healthcare Quality Management |
¿½¥@ºa | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó218 | 70 | ¸êºÞ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7406018 | 01 | ²z°]»P¥Í¬¡ Financial Management in Life |
©P²Qs | 2 2/0/0 |
2 | ³qÃÑ | ¤T8,9 | ±Ð¾Ç¤j¼Ó207 | 125 | |
4 | 7406019 | 02 | ¸ê°T¨t²ÎÀ³¥Î Information System Application |
ªLÂE«n | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ºÞ²z¾Ç°|004 | 80 | ¸êºÞ¨t¾Ç¥Í¤£±o¿ï× |
4 | 7406020 | 01 | ¤H¤O¸ê·½ºÞ²z Human Resource Management |
¤ý¬î¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó223 | 70 | |
4 | 7406020 | 02 | ¤H¤O¸ê·½ºÞ²z Human Resource Management |
¤ý¬î¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó223 | 70 | |
4 | 7406021 | 01 | ºÞ²z»P¥ø·~¹ê°È Management and Business Practices |
ªL»¨³Ç | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó220 | 70 | ºÞ°|¾Ç¥Í¤£±o¿ï× |
4 | 7406022 | 01 | °ê»Ú¶T©ö¹ê°È International Trade Practive |
³¯Ãè³ó | 3 3/0/0 |
3 | ³qÃÑ | ¤T7,8,9 | ºÞ²z¾Ç°|426·|ij«Ç | 70 | ºÞ°|¾Ç¥Í¤£±o¿ï× |
4 | 7407007 | 01 | ^°ê¤k©Ê¬Fªv¥v¸Ü The Women in the Political History of England |
±i¨q»T | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó422 | 90 | ¾ú¥v¨t¾Ç¥Í¤£±o¿ï× |
4 | 7407009 | 01 | ¹Ï®ÑÀ]»P¸ê°T§Q¥Î Library and Information Use |
ªLÄR¶³ | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó422 | 90 | |
4 | 7407010 | 01 | ³Ð³y¤Oµo®i Creativity to Business |
³¯¥É¾ð | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¨|À]201 | 124 | ¦¨±Ð¨t¾Ç¥Í¤£±o¿ï× |
4 | 7407012 | 01 | ¥Í©R±Ð¨| Life Education |
±iÛ`¬Ã | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¨|À]201 | 124 | |
4 | 7407013 | 01 | ¾²P³W¹º Career Plan |
¤ý¬î¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤G2,3 | ±Ð¾Ç¤j¼Ó213 | 125 | |
4 | 7407013 | 02 | ¾²P³W¹º Career Plan |
¤ý¬î¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¥|2,3 | ±Ð¾Ç¤j¼Ó213 | 125 | |
4 | 7407014 | 01 | ¤H»ÚÃö«Y»P¤H»Ú·¾³q Human Relations & Interpersonal Communication |
¤ý¬î¬Â | 2 2/0/0 |
2 | ³qÃÑ | ¤T10,11 | ±Ð¾Ç¤j¼Ó219 | 70 | |
2 | 7501004 | 01 | ¬ì§Þ»PÀô¹Ò·§½× The Impact of Modern Technologies on Ecological Enviroments |
³¯´º³¹ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó211 | 70 | |
2 | 7501013 | 01 | «Ø¿v»P¨¾¾_ Aseismic Concepts for Building Structures |
½²¤¤·u | 2 2/0/0 |
2 | ³qÃÑ | ¥|8,9 | ±Ð¾Ç¤j¼Ó201 | 70 | |
2 | 7501016 | 01 | ¥Í¬¡ª«²z Physics in Life |
±çÃÙ¥þ | 2 2/0/0 |
2 | ³qÃÑ | ¤G8,9 | ª«²zÀ]206 | 200 | ²z¡B¤u¾Ç°|¾Ç¥Í¤£±o¿ïסF1.¤W½Ò«e½Ð¦Ü¤¤¥¿¼v¦L³¡ÁʶR¥Í¬¡ª«²zµ§°O¥»¡C2.´Á¤¤¡B´Á¥½¦Ò¥H¤W½Ò¤º®e¬°¥D¡A¦Ò¸Õ®É¥i±aµ§°O¥»¤Î®Ñ¡C |
2 | 7502002 | 01 | ¤µ¤é¤Æ¤u Today Chemical enginnering |
µØÄ~¤¤ | 2 2/0/0 |
2 | ³qÃÑ | ¤@8,9 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 230 | ¤Æ¤u¨t¾Ç¥Í¤£±o¿ï× |
2 | 7502004 | 01 | ¤Æ¾Çªº©_§®¥@¬É The Wonderland of Chemistry |
¬x¥Ãú¤ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¼Æ¾ÇÀ]201 | 90 | ¥H´¶³q¤Æ¾Ç2601101-2¡B2601103©Î2251101-2¬°¥²×½Ò¤§¾Ç¨tªº¾Ç¥Í¤£±o¿ï× |
2 | 7502005 | 01 | ¥Í¤Æ¬ì§Þ²£·~º©½Í Introducation to Biochemical Industry |
ù¬f´¸ | 3 3/0/0 |
3 | ³qÃÑ | ¤G7,8,9 | ±Ð¾Ç¤j¼Ó106¶¥±è±Ð«Ç | 230 | ¤Æ¤u¨t¾Ç¥Í¤£±o¿ï× |
2 | 7503008 | 01 | ¥Íª«§Þ³Nì²z»PÀ³¥Î Principle and Application of Biotechnology |
³¯¯E¤¯ ¶À§Ó´ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó305¶¥±è±Ð«Ç | 230 | ¥Í¬ì¨t¾Ç¥Í¤£±o¿ï× |
2 | 7503011 | 01 | »{ÃѧÚ̪º¨Åé-¤HÅé¥Í²z¾Ç Human Physiology |
¶À¹t× | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó211 | 70 | |
2 | 7503012 | 01 | «æ±ÏÂå¾Ç Emergency Medicine |
·¨¤¯©v | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó325 | 90 | |
2 | 7504002 | 02 | pºâ¾÷·§½× Introduction to Computer Science |
¼B®a»Ê | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ¤u¾Ç°|AÀ]001 | 130 | ¤u¾Ç°|¾Ç¥Í¤£±o¿ï× |
2 | 7504002 | 03 | pºâ¾÷·§½× Introduction to Computer Science |
³¯©ú´ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó112 | 55 | ¸ê¤u¡B¹q¾÷¤Î³q°T¨t¾Ç¥Í¤£±o¿ï× |
2 | 7504006 | 01 | ¹q¸£ºô¸ô¾É½× Introduction to Computer Networks |
Ĭ·u³Í | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¤u¾Ç°|AÀ]127 | 120 | ¸ê¤u¡B¹q¾÷¤Î³q°T¨t¾Ç¥Í¤£±o¿ïסF«ØÄ³¥ý×¹Lpºâ¾÷·§½×½Òµ{ |
2 | 7504008 | 01 | ³q°T¬ì§Þ»P²{¥N¥Í¬¡ Communication Technology : its impact on our life (¥»¬ì¥Ø¬°»·¶Z±Ð¾Ç½Òµ{) |
¼ï¤¯¸q | 2 2/0/0 |
2 | ³qÃÑ | ¤@2,3 | ±Ð¾Ç¤j¼Ó207 | 125 | ¸ê¤u¡B¹q¾÷¨t¤Î³q°T¨t¤j¤G¡B¤T¡B¥|¦~¯Å¾Ç¥Í¤£±o¿ïסFºô¸ô«D¦P¨B±Ð¾Ç½Òµ{¡A¥»½Òµ{²Ä¤@°ó½Ò»P³Ì«á¤G°ó½Ò»Ý¦Ü±Ð«Ç¤W½Ò¡A¨ä¾l¬Ò¦b¥»®Õserver4¨t²Î¤W½Ò |
2 | 7504008 | 02 | ³q°T¬ì§Þ»P²{¥N¥Í¬¡ Communication Technology : its impact on our life (¥»¬ì¥Ø¬°»·¶Z±Ð¾Ç½Òµ{) |
¾G§B¬· | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó207 | 125 | ¸ê¤u¡B¹q¾÷¨t¤Î³q°T¨t¤j¤G¡B¤T¡B¥|¦~¯Å¾Ç¥Í¤£±o¿ïסFºô¸ô«D¦P¨B±Ð¾Ç½Òµ{¡A¥»½Òµ{²Ä¤@°ó½Ò»P³Ì«á¤G°ó½Ò»Ý¦Ü±Ð«Ç¤W½Ò¡A¨ä¾l¬Ò¦b¥»®Õserver4¨t²Î¤W½Ò |
2 | 7504010 | 01 | º©½Í¤H¤u´¼¼z Introduction to Artificial Intelligence |
§õ«T§» | 2 2/0/0 |
2 | ³qÃÑ | ¤@2,3 | ±Ð¾Ç¤j¼Ó325 | 90 | ¸ê¤u¡B¹q¾÷¤Î³q°T¨t¾Ç¥Í¤£±o¿ï× |
2 | 7504011 | 01 | ¸ê°T¦w¥þ¾É½× Introduction to Information Security |
½²ÀÚ¥þ | 2 2/0/0 |
2 | ³qÃÑ | ¤@2,3 | ±Ð¾Ç¤j¼Ó201 | 70 | ¤u¾Ç°|¾Ç¥Í¤£±o¿ï× |
2 | 7504011 | 02 | ¸ê°T¦w¥þ¾É½× Introduction to Information Security |
ªL¯\·ì | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ¤u¾Ç°|AÀ]001 | 130 | ¤u¾Ç°|¾Ç¥Í¤£±o¿ï× |
2 | 7504013 | 01 | ¤å®Ñ³B²z³nÅéÀ³¥Î Application of Word Processing Software |
³¯¬R¤¯ | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ±Ð¾Ç¤j¼Ó209 | 70 | ¤u¾Ç°|¤Î¸êºÞ¨t¾Ç¥Í¤£±o¿ï× |
2 | 7504013 | 02 | ¤å®Ñ³B²z³nÅéÀ³¥Î Application of Word Processing Software |
³¯©ú¤¯ | 2 2/0/0 |
2 | ³qÃÑ | ¥|10,11 | ±Ð¾Ç¤j¼Ó203 | 70 | ¤u¾Ç°|¤Î¸êºÞ¨t¾Ç¥Í¤£±o¿ï× |
2 | 7504014 | 01 | ºô¸ô»P¥Í¬¡ Internet and Modern Life |
±iºÓ¼Ý ½²§ÓÂ× ¦ó®Ê·É | 2 2/0/0 |
2 | ³qÃÑ | ¤T10,11 | ºÞ²z¾Ç°|426·|ij«Ç | 70 | |
2 | 7504017 | 01 | ¹q¸£µ{¦¡³]p¡GC»y¨¥ Computer Programming in C-Language |
³¯©ú´ | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó112 | 55 | ¹q¾÷¤Î¸ê¤u¨t¾Ç¥Í¤£±o¿ï× |
2 | 7505001 | 01 | ¥xÆWªº´Óª« The Flora of Taiwan |
¬xÄR¤À | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ±Ð¾Ç¤j¼Ó422 | 90 | |
2 | 7505003 | 01 | ³¹»P¤H¥Í Rice and Life |
ù¥¿©v | 2 2/0/0 |
2 | ³qÃÑ | ¤@10,11 | ±Ð¾Ç¤j¼Ó201 | 70 | |
2 | 7505007 | 01 | ¥Íª«¦h¼Ë©Ê Biodiversity |
¬xÄR¤À | 2 2/0/0 |
2 | ³qÃÑ | ¤4,5 | ±Ð¾Ç¤j¼Ó422 | 70 | |
2 | 7506001 | 01 | ¦a²y¬ì¾Ç The Earth |
±i¥Ã§· | 2 2/0/0 |
2 | ³qÃÑ | ¤2,3 | ¦a¾_À]302 | 85 | ¦aÀô¨t¾Ç¥Í¤£±o¿ï× |
2 | 7506002 | 01 | ¦a¾_»P¨¾¨a Earthquakes¡BDisasters and Protection |
¶À¿·¯] | 2 2/0/0 |
2 | ³qÃÑ | ¤G10,11 | ¦a¾_À]302 | 85 | ¦aÀô¨t¾Ç¥Í¤£±o¿ï× |